Multicultural Shakespeare-Translation Appropriation and Performance

Multicultural Shakespeare-Translation Appropriation and Performance 由 Sciendo 出版，属中科院文学大类（2025 升级版4区）。按 OpenAlex 近年发文统计，该刊主要发表 Shakespeare, Adaptation, and Literary Criticism、Theatre and Performance Studies、Philippine History and Culture 等主题的论文，这 3 个主题约占 52.9%。（根据 OpenAlex 主题统计与中科院分区数据生成）

Aims and Scope of the Journal Multicultural Shakespeare is an international journal devoted to Shakespearean studies; it is a forum in which researchers, especially those from non-English-speaking backgrounds, can air local concerns and themes that contribute to the creation and understanding of Shakespeare as a global phenomenon. Initially devoted mainly to translations, Multicultural Shakespeare developed into a publication mediating vigorous discussions on the adaptation of Shakespeare’s texts, their ontology and cross-cultural significance. It created an opportunity to present the universal dimension of Shakespeare’s works by focusing on the local values found in diverse cultures of the world. Multicultural Shakespeare appeared for the first time in 1972 as "Shakespeare Translation" on the initiative of Professor Toshikazu Oyama, the President of Seijo University in Japan. Since then, it has undergone various changes. In 1986 it became "Shakespeare Worldwide: Translation and Adaptation," whose editor was Professor Yoshiko Kawachi, and in 2003, it took on its present title (and since then was edited by Professor Yoshiko Kawachi and Professor Krystyna Kujawińska Courtney). Since 2023, the journal's Co-editors-in-chief have been Professor Yoshiko Kawachi and Dr Monika Sosnowska, who served as the journal's academic secretary. From its very beginning, Multicultural Shakespeare has aroused interest around the world and attracted many prominent scholars, soon becoming an important publication in Shakespeare studies on a global scale. First printed in Japan, now published in Łódź, Poland, Multicultural Shakespeare seeks co-operation with people who make, teach or simply enjoy theatre and literature, and who are interested in addressing the problems of translating, staging, reading and teaching Shakespeare worldwide. We welcome contributions in various areas of Shakespearean studies, page and stage renditions of his plays; translations, critical analyses, book and theatre reviews. Thematic issues: – vol. 16 (2017) „(Re)Translations: Diachronic and Synchronic Perspectives on Giving New Voice to Shakespeare” (red. Lily Kahn, Márta Minier)– vol. 15 (2017) „Shakespeare in Cross-Cultural Spaces” (red. Robert Sawyer, Varsha Panjwani)– vol. 14 (2016) „Shakespeare in Modern Japan” (red. Yoshiko Kawachi)– vol. 13 (2016) „Shakespeare, National Origins and Nationality” (red. José Manuel González)– vol. 12 (2015) “Diversity and Homogeneity: Shakespeare and the Politics of

摘自期刊官网 Aims & Scope

研究方向（LetPub）：LITERATURE, BRITISH ISLES

主编 Yoshiko Kawachi出版商官网

编委会国家分布：中国大陆 2 位（约 5%）；主要国家 美国 6、日本 6、波兰 5、中国 2、英国 2（共 37 位编委标注了国家） 编委会 ↗出版商官网 · 2026-09-29

中科院期刊分区表

数据库收录

ESCIScopusDOAJLetPub

国际期刊预警名单：各版本均未列入LetPub

不同版本、大类与小类分别展示，不将不同评价口径合并为一个分区值；投稿与考核前请确认所在机构采用的版本。

影响力指标

CiteScore 2026-06

0.2LetPub · 2026-09-13

CiteScore（出版商公布）

0.2出版商官网 · 2026-09-29

SJR 2026-06

0.1LetPub · 2026-09-13

SNIP 2026-06

0.79LetPub · 2026-09-13

h-index

5OpenAlex · 2026-10-01

i10-index

2OpenAlex · 2026-10-01

两年平均被引

0.02OpenAlex · 2026-10-01

Gold OA 文章占比

100%LetPub · 2026-09-13

不同来源的统计口径与观测时间不同，页面保留各来源原值；“出版商公布”为期刊官网自述数据。

平均审稿速度（社区反馈）

13 WeeksLetPub · 2026-09-13

投稿到发表（期刊自报）

约 13 周DOAJ · 2026-10-25

评审方式

双盲同行评审DOAJ

社区反馈来自投稿者样本，置信度 0.5，不代表期刊承诺；“出版商公布”的时间节点定义以官网为准。

• APC 费用说明 ↗DOAJ
• 开放获取声明 ↗DOAJ
• 许可与版权 ↗DOAJ

费用以期刊官网为准；不同来源的观测时间可能不同，页面保留各来源原值，不做平均。

摘录来自期刊官网页面，仅保留原文片段；“模型摘要”由 Workers AI 生成并经原文校验，以官网为准。

出版商

Sciendo

出版国家或地区

Poland

出版语言

English

ISSN

2083-8530

电子版 ISSN

2300-7605

官网最新一期

Volume 31, Issue 46（2025 年）

官方链接

• 期刊主页 ↗DOAJ
• 作者指南 ↗LetPub
• Aims & Scope ↗LetPub
• 专刊 / 特刊征稿 ↗出版商官网
• APC 费用说明 ↗DOAJ
• 开放获取声明 ↗DOAJ
• 许可与版权 ↗DOAJ
• 评审流程 ↗LetPub
• 编委会 ↗LetPub
• 查重政策 ↗DOAJ