Comparative Cinema

Comparative Cinema 由 Universitat Pompeu Fabra 出版。按 OpenAlex 近年发文统计，该刊主要发表 Cinema History and Criticism、Cinema and Media Studies、Spanish Culture and Identity 等主题的论文，这 3 个主题约占 61.7%，主导子领域为 Visual Arts and Performing Arts。（根据 OpenAlex 主题统计与中科院分区数据生成）

Comparative Cinema is a publication that approaches cinema using a comparative methodology. It revives, to that end, critical traditions linked to comparative literature studies in order to propose a way of working with images that is catalyzed by the connection between two different objects. Jean-Luc Godard’s text The Cinémathèques and the history of cinema, included in the first volume of the journal, Projection/Montage, established the programmatic principle for this edition and the entire publication: through the programming of different cinematographic pieces (that is, their conjunction), it is possible to articulate connections that cause new meanings to emerge. Comparative film research analyzes the ways in which an image alludes to and leads us to think of other images (from the same film, from the history of film or from other areas) through montage and through the vision generated by the spectator in the screening. The monographic volumes of Comparative Cinema aim to explore how this comparative perspective can enrich film analysis, by considering both the mise-en-scène and the creation processes or the links between cinema and other arts. For an article proposal to be accepted, it is essential that the starting point should be a comparison, and an explicit one at that. This comparison may refer to two images from the same cinematographic work, images from different works or a cinematographic image compared with a work from another artistic discipline (literature, painting, sculpture, theatre, etc.). The journal is structured into monographic volumes and will accept proposals for articles, interviews (these may also be round tables) and audio-visual essays on the specified subject. With the exception of the Reviews section, for which we routinely accept texts, the journal will not accept texts that are unconnected with the volume’s theme. * From September 15th onwards, Comparative Cinema will start receiving texts for a new miscellaneous section, in which the journal will include articles that have no thematic bond to the proposed monographic issues. From this date on, the reception of these submissions will be carried out continuously throughout the year, but the articles will be published in subsequent issues of the journal, prior coordination with the editors.

摘自期刊官网 Aims & Scope

编委会国家分布：未见中国大陆编委；主要国家 西班牙 4、英国 1（共 5 位编委标注了国家） 编委会 ↗出版商官网 · 2026-11-01

中科院期刊分区表

数据库收录

DOAJLetPub

国际期刊预警名单：各版本均未列入LetPub

不同版本、大类与小类分别展示，不将不同评价口径合并为一个分区值；投稿与考核前请确认所在机构采用的版本。

影响力指标

h-index

3OpenAlex · 2026-11-01

i10-index

0OpenAlex · 2026-11-01

两年平均被引

0OpenAlex · 2026-11-01

Gold OA 文章占比

0%LetPub · 2026-11-01

不同来源的统计口径与观测时间不同，页面保留各来源原值；“出版商公布”为期刊官网自述数据。

平均审稿速度（社区反馈）

20 WeeksLetPub · 2026-11-01

投稿到发表（期刊自报）

约 20 周DOAJ · 2026-11-01

评审方式

双盲同行评审DOAJ

社区反馈来自投稿者样本，置信度 0.5，不代表期刊承诺；“出版商公布”的时间节点定义以官网为准。

• APC 费用说明 ↗DOAJ
• 开放获取声明 ↗DOAJ
• 许可与版权 ↗DOAJ

费用以期刊官网为准；不同来源的观测时间可能不同，页面保留各来源原值，不做平均。

摘录来自期刊官网页面，仅保留原文片段；“模型摘要”由 Workers AI 生成并经原文校验，以官网为准。

出版商

Universitat Pompeu Fabra

出版国家或地区

Spain

出版语言

English, Spanish, Catalan

ISSN

2014-8933

官方链接

• 期刊主页 ↗LetPub
• 作者指南 ↗LetPub
• Aims & Scope ↗LetPub
• APC 费用说明 ↗DOAJ
• 开放获取声明 ↗DOAJ
• 许可与版权 ↗DOAJ
• 评审流程 ↗LetPub
• 编委会 ↗LetPub